James Caviezel in The Passion of the Christ
Suddenly, there is a hushed silence, heads turn around to look behind them, the crowd parts hesitatingly. A man strides through their midst. The muscles on his golden arms ripple as he swings them, his crisp, bleached hair lies in waves on his fine head. He is undisputedly their leader - everything about his confident air and flung back shoulders proclaims it. His eyes flash, almond shaped, brown - he moves down the aisle of perspiring men with a careless grace. He carries on one arm a large piece of egyptian linen, died a deep purple, like the curved insides of seashells, the colour reserved for kings and emperors only. In the other hand he is holding, very carefully, a wreath of thorns. A scratch runs down the back of one perfect hand, wet with crimson.
Men push against each other, damp tunics to damp tunics, sandals shuffling in the dusty sand, to make way for their leader, and to see what will happen. As they move we see a figure standing alone in this arena of men. He stands a little to one side, his head bowed, his arms hanging by his side. Despite his despondent attitude, there is an aura of peace about him that singles him out from the tense, watching crowd. The crowd catches a glimpse of the man's mutilated back and shoulders - cruel Roman whips have turned his back into ribbons of flesh, skin and blood. Silence grows, throbs like a living organism in its breathless persistency. The leader stands in the ring now, the chiseled head held high, arms crossed, feet apart, a magnificent specimen of manhood, taunting, defiant.
Check out Matthew's account of this event in Matthew 27:27-31.
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